In the intro to this show, an unusually effusive EG Marshall suggests an old-fashioned ghost story. But the show ends up being something quite different, and more real. The Mason Adams character (John) begins as a minor character, unusual for Adams\' roles in the RMT, and there is a disturbing angst in the protrayal. There is a good understated role for Bob Dryden. There is the controversial issue of abortion (\"ending an incipient life\") and the uncomfortable fact that John is as old as his girlfriend\'s father. The opening scene was a very long take and built a good tension. The plot thickened and I was drawn in and involved in the story. Only the end seemed anticlimactic. With all the other, powerful issues involved, the ghost story was overshadowed, then brought back in at the end to close the show with a supernatural overtone. Despite this, I gave this show a 5. This was a real drama and the writing and acting were outstanding. At each change of Act, I was reminded that I was listening to RMT. During the Acts themselves I was focused on the character dialogue.