This is another Elspeth Eric psycho-drama, and (IMO) although I don\'t think it\'s the primary theme a secondary facet of this show is (suggested) homosexuality.

The late, great, out-of-the-closet Gordon Heath (who we lost too early to AIDS) plays a man living in an elegant house only with a male servant (played by Robert Dryden) whom he befriended in San Francisco.

It isn\'t the first overt or covert reference to that subject in the RMT:

- \"Picture of Dorian Gray\" very overtly dealt with the subject without directly mentioning it. (I wonder if Oscar Wilde, who himself struggled with same-sex attraction, could even market that novel were he in today\'s politically correct climate. Actually, his novels, like \"Dorian Gray\" were frequently about morality and the consequences of immorality.)

- \"The Secret Sharer\", where the newly-minted captain of a ship about to sail (played by Norman Rose) finds a naked young man swimming next to his boat (played by Mandel Kramer, who by this time in his career didn\'t sound that young) and keeps him in his cabin, taking pains to let no one know the young stowaway is there. Based on a short story written by Joseph \"Heart of darkness\" Conrad.

- \"The sinister shadow\", where a single, lonely woman finds companionship in a bar with a woman who appears to be her exact double. (This might also have been an Eric play). The woman\'s domineering, mean mother, who\'s been trying to get her daughter to date men, gets angry and seems to intimate that she\'s a lesbian. <br>