this show has such gothic appeal about it. i love the little details of this program, like the church bell, the light wind, and especially the footsteps throughout the show. small details that define and forge a landscape that doesn\'t exist. it\'s fantastic.

storywise, i suppose this program might graze in the realm of cliché these days, because we\'ve seen it so many times, but i enjoyed the fresh take on the whole brother and sister uncovering the mystery about dear ol\' dad. performances, especially Norman Rose, were solid. production was just terrific. and the story was good - perhaps not the best, but it was bizarre enough to hold me right until the end.

however, like many RMT shows, the ending seems to come too quick and i often find myself listening to silence after the program, waiting for something more to happen, which of course, never does.

the thing i enjoyed about this show also, was that it wasn\'t predictable. i mean, as events unfolded, they made natural sense, which gives the illusion of being predictable, but i think that is because the writing was so good and the performances so tight. it\'s easy to take these elements for granted in a good RMT show.

anyhow, i\'ll be on the watch for a triplets show just for Mr. Miller! it was good to hear this one again. peace! 