"The Children of Death" is an interesting commentary on the ideological differences (or lack of) between the Western and Eastern bloc during the Cold War encapsulated in a fascinating story and novel concept.  Mystery Theater always did science fiction very well, especially stories about the future.  I wish they had done more (fFor one of the best sci-fi radio plays of all time, listen to Prisoner of the Machines starring a young John Lithgow with a long cameo by Hyman Brown).  In 'Children' Tony Roberts (occasional Mystery Theater actor and always a stand-out) plays 'Gold,' a young member of the male tribe, who upon reaching manhood, must venture into the forest and either capture a female to bring back to the camp for procreation or die trying.  Interestingly, members of the female tribe, such as Flower (the woman Gold confronts) are required to do the same.  Gold is unique in that, despite being the son of the tribe's religious leader (perenial Mystery Theater regular and legend Robert Dryden) he rejects the overall system and long-lived patterns of hatred for the opposing female tribe.  This attitude of appreciation of the similarities rather than differences between the tribes is contagious, especially on the battle-tested veteran Flower.  Though the manner of speech could be tiresome to the ear, listeners should appreciate the strict adherence of the Sam Dann's script to the small vocabulary and use of language by the simple people of this futuristic and uncivilized world.  Children of Death is a captivating listen of a fascinating concept that I enjoy time and time again.  Though history disagrees with the idea that the opposing sides of the Cold War were merely different sides of the same coin, the over-riding message of peace, love, and coexistence is inspiring.  The story's end is quite moving and touches the heart.  I give Children of Death four stars - JUROR # 4.