- I always love a show when they do \"New Orleans accents\" (as Ian Martin\'s character did) but the actors sound more like they\'re in Mississippi or Alabama at the time. Maybe they had accents like that in New Orleans about the era when this was done, but my Orleaneux friends used to get the biggest kicks out of seeing films supposedly in their city with accents like that.

- Speaking of Martin...he was a gem. It\'s so hard to find pictures and information on him. Howard Moss, who does have pictures out there on the Web, was tremendous as well. The RMT had their \"A\" team of character actors out for this one...a tremendously talented bunch.

- The funny thing was, as spooky as this was supposed to be, I cracked up listening to the feminine grunts and cackles the shoes made.

- Dryden was indeed excellent on this...as good as he was in \"The rise and fall of the fourth reich\". The transformation between his chef/proprietor character and his \"spirit\" was fascinating as well.

- Indeed, I was astonished that this was an Eric work. Psycho-drama was her specialty. I honestly wondered if she was a psychology student in college at one point.

- The orchestral strings and tympani music bed was tremendous under the \"ghost\'s\" voice. That one always evokes an uneasy feeling in me.<br>