I\'ve never seen \"Sex and the city\" and have no burning desire to, but...fascinating how careers evolve. Sarah Parker is now one of if maybe not the most recognizable of all former RMT stars. Funny how these things go, isn\'t it? It was so nice to hear a real child\'s voice, though. (Did she say she was a \"Second\" or \"Seventh\" grader at the end of the show?)

I also like Guy Sorrell...he was good in \"Ordeal by fire\" and did an interesting turn in \"The hand\" as Sir John Rowell (and the policeman/dairy farmer Michel Des Charles). He usually sounded distinguished although he could play \"commoner\" roles as well.

(Do any of you remember the \"Firesign Theatre\" comedy group? Sorrell played a security guard of sorts in an RMT play based on an Edgar Allen Poe story about a doctor who could \"mesmerize\" people and was able to \"mesmerize\" a woman\'s soul into not leaving her dead body. Sorrell\'s character was killed in the latter play, and during that he made sounds that unintentionally were like an amusing joke in a Firesign skit I once heard. He was an excellent choice in the \"Cat\'s paw\" play.)

One last thing this brought back a memory of...I think the original Star Trek series had an episode entitled \"Catspaw\" involving people who could change into different creatures like giant cats...kind of a giant intergalactic hallowe\'en party. I remember Spock telling Captain Kirk about \"Familiars\"...the first time I\'d ever heard such a term.

Steve, I agree with you about Martin and Eric. The former seemed to like to delve into supernatural situations for his plays (i.e. \"Time and again\"). Eric, on the other hand, was more the romantic. Her plays often became slow moving, almost at a second rate \"Lifetime movie\" pace. When she was on she was great. She wrote \"Star Sapphire\"...one of the episodes which has most haunted me.